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Produced in conjunction with Cartel Pictures LLC, the full-length feature is a modern coming-of-age sci-fi adventure that touches on real events and unsolved mysteries. This latest capital raise is being launched concurrently with the drop of the highly anticipated, first-look trailer of feature film Monsters of California, representing DeLonge's directorial debut and set to begin screening for distributors this month. Proceeds will support future To The Stars' entertainment initiatives, which include the development of new content across music, tv, film, books and merchandise through its wholly owned subsidiary To The Stars Media Inc. The offering provides investors with an opportunity to be part of the company's revolutionary collaboration between academia, industry and pop culture to advance society's imagination, curiosity and understanding of scientific phenomena and other mysteries of the universe. If the band are trying to make a statement, it’s a misguided one."Tom DeLonge of Blink-182/Angels & Airwaves”

‘Euphoria’ is meant to be a comment on toxic masculinity – yet most music videos for this record feature women in their underwear.

Not all these brave new ventures pay off, though. Passionate and unafraid to call things as they are, it’s a side of the band DeLonge has never really explored before – but it’s a powerful one that suits them perfectly. Can’t balance things lately, I think we’re going to die,” sings DeLonge. Then there are tracks like ‘No More Guns’, a surf-punk track that addresses the gun violence and racism that’s rampant across America, and the moody synth-led ‘Losing My Mind’, which sees Angels’ usually unwavering positivity replaced by detachment and confusion: “ This world is on fire and I am ice. ‘Restless Souls’ captures the grandiose escapism of Angels’ 2006 debut album ‘We Don’t Need To Whisper’, ‘Euphoria’ is a thundering emo number that echoes Travis Barker side project Box Car Racer and ‘Automatic’ is an energetic, coming-of-age pop-punk number. Of course, there are plenty of nods to DeLonge’s past. An urgent punk record with all the ambition of a band out to change the world, their sixth album depicts a band with a purpose. Yet ‘LIFEFORMS’ will silence anyone still questioning DeLonge’s musical decisions. In the years that followed, Blink continued to tour and release music (with Alkaline Trio’s Matt Skiba his replacement) while DeLonge made headlines about aliens. The record was also the first to feature future songwriting-partner Ilan Rubin, and the whole thing felt like a band trying to discover what their future held. DeLonge tried to find a balance between the epic space synths that fuelled Angels’ early records and the gnarled alt-rock that the band had started to experiment with. Recorded in the midst of fraying relationships and demanding tour schedules, ‘The Dream Walker’ was understandably a turbulent-sounding record. A year after the release of their fifth album, 2014’s ‘The Dream Walker’, though, he quit the iconic pop-punk group once more to focus on other projects. The last time Angels & Airwaves released a record, Tom DeLonge was still a member of Blink 182.